1. |
||||
|
negro sangre
Santa Misa a borbotones...
misantropía y deicidio
rojo muerte
malditismo: Ducasse junto a Van Gogh...
desesperanza y vacío
...y el Dogma se estremeció
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2. |
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3. |
descreyéramos
03:34
|
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|
El concepto Ubuntu habría surgido del dicho popular “Umuntu, nigumuntu, nagamuntu”, que en zulú se traduciría como “una persona es una persona a causa de los demás"
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4. |
lessness
05:43
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...He will curse God again as in the blessed days face to the open
sky the passing deluge. Little body grey face features slit and
little holes two pale blue. Blank mind...
Lessness. A story by Samuel Beckett(1970)
http://frontdeskapparatus.com/wp/wp-content/uploads/2012/10/Lessness.pdf
|
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5. |
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|
It's good not to have dreams,
to want nothing.
And the best is
to understand nothing.
Andrzej Zulawski
Diabel, 1972
|
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6. |
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|
«Todo va, todo vuelve; eternamente rueda la rueda del ser. Todo muere, todo vuelve a florecer, eternamente corre el año del ser.
Todo se rompe, todo se recompone; eternamente se construye a sí misma la misma casa del ser. Todo se despide, todo vuelve a saludarse; eternamente permanece fiel a sí el anillo del ser.
En cada instante comienza el ser; en torno a todo “Aquí” gira la esfera “Allá”. El centro está en todas partes. Curvo es el sendero de la eternidad.»
F. Nietzsche. Así habló Zaratustra, El convaleciente, 2.
«Alles geht, Alles kommt zurück; ewig rollt das
Rad des Seins. Alles stirbt, Alles blüht wieder auf,
ewig läuft das Jahr des Seins.
Alles bricht, Alles wird neu gefügt; ewig baut
sich das gleiche Haus des Seins. Alles scheidet,
Alles grüsst sich wieder; ewig bleibt sich treu der
Ring des Seins.
In jedem Nu beginnt das Sein; um jedes Hier
rollt sich die Kugel Dort. Die Mitte ist überall.
Krumm ist der Pfad der Ewigkeit.»
F. Nietzsche. Also Sprach Zarathustra, die Genesung, 2.
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7. |
The Unnamable
11:10
|
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|
"Where now? Who now? When now? (...) I can’t go on, I’ll go on."
(Comienzo y final de The Unnamable - Samuel Beckett, 1953).
https://en.wikipedia.org/wiki/The_Unnamable_(novel)
"It was everywhere—a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory. There were eyes—and a blemish. It was the pit—the maelstrom—the ultimate abomination. It was The Unnamable!"
(Final de The Unnamable - H.P. Lovecraft, 1923)
https://en.wikipedia.org/wiki/The_Unnamable_(short_story)
|
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8. |
decoherencia
05:42
|
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9. |
ignotum per ignotius
05:55
|
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|
You see how the smoke trembles
up in the roof hole?
As if whimpering and afraid.
Yet it's only going out
into the open air,
where it has the whole sky
to tumble about in.
But it doesn't know that.
So it cowers and trembles
under the sooty ridge of the roof.
People are the same way.
They worry and tremble
like leaves in a storm...
because of what they know
and what they don't know.
Jungfrukällan. Ingmar Bergman, 1960.
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10. |
autofagia
04:01
|
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|
"We are all in the gutter, but some of us are looking at the stars."
― Oscar Wilde, Lady Windermere's Fan
“And God said “Love Your Enemy,” and I obeyed him and loved myself.”
― Kahlil Gibran, The Broken Wings
|
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11. |
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|
Extinction is the rule. Survival is the exception.
Carl Sagan.
|
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12. |
Treinta siclos de plata
02:50
|
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|
“...to the nameless gods of dispersal and emptiness...
To all the scribes and artists and practitioners of magic through whom
these spirits have been manifested….
NOTHING IS TRUE. EVERYTHING IS PERMITTED.”
William S. Burroughs,
Cities of the Red Night
|
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13. |
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|
“Nuestra conciencia rechaza de plano la guerra; nuestro corazón
no puede admitir la violencia como razonable y justa en ninguna
ocasión. Ningún acontecimiento ha hecho vacilar nuestras
convicciones refractarias a la guerra y seguimos creyendo que
ninguna es noble, es justa, es buena porque todas tienen, aun
las que en apariencia se hacen por móviles honrados, un verdadero
motivo: el poder. El poder es, según las ocasiones, la conquista de
un territorio, de un gobierno, la entronización de una
familia, etc. etc. Y si se trata de guerrear por el ideal..., la
imposición sobre el mayor número posible de individuos de
las normas de vida del grupo vencedor.”
Amparo Poch y Gascón. 1937
|
||||
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